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  1. Latest Guest Announcement - Tom Ellis Appearing: Saturday & Sunday Autograph: £65 Photo Shoot: £65 Diamond Pass Saturday - £175 1 Autograph 1 Photograph Gift Damond Pass Sunday - £190 1 Autograph 1 Photograph 1 Stage Talk Gift Tickets on sale now Lucifer - Lucifer Morningstar Miranda - Gary Preston Rush - William P. Rush Once Upon a Time - Robin Hood Merlin - Cenred Doctor Who - Thomas Milligan https://www.imdb.com/name/nm0255124
  2. Latest Guest Announcement: Aimee Garcia Attending: Saturday & Sunday Autograph Price: £25 Photo Shoot Price: £25 Joint Photo Shoot Price with Tom Ellis: £90 (Sun ONLY) *Lucifer - Ella Lopez *Dexter - Jamie Batista *Robocop - Jae Kim *Rush Hour - Didi Diaz *Supernatural - Nancy Fitzgerald *Hawaii Five-0 - Karla View Filmography
  3. Latest Guest Annoucement - Tom Welling Appearing: Friday, Saturday and Sunday Autograph: £45 Photo Shoot: £45 Double Photo Shoot with John Schneider: £70 Diamond Pass: £115 Guaranteed Autograph Photo Shoot Talk Limited Edition Print Clark Kent - Smallville Marcus Pierce - Lucifer Rob Meltzer - Judging Amy https://www.imdb.com/name/nm0919991
  4. Latest Guest Announcement: Aimee Garcia Attending: Saturday and Sunday Autograph Price: £15 Photo Shoot Price: £15 *Lucifer - Ella Lopez *Dexter - Jamie Batista *Robocop - Jae Kim *Rush Hour - Didi Diaz *Angel - Cynthia *Supernatural - Nancy Fitzgerald View Filmography
  5. Latest Guest Announcement - Lochlyn Munro Appearing: Saturday and Sunday Autograph: £15 Photo Shoot: £15 Hal Cooper - Riverdale Ken Sheldrake - Beyond Anthony Paolucci - Lucifer Captain Stein - Arrow Greg Phillippe - Scary Movie Deputy Scott Stubbs - Jason v Freddy Jack Sheridan / Jeff Sheridan - Charmed https://www.imdb.com/name/nm0613147
  6. Latest Guest Announcement - Tricia Helfer Attending: Friday, Saturday & Sunday Autograph Price: £30 Photo Shoot Price: £30 Lucifer (TV Series) Charlotte Battlestar Galactica (TV Series) Number Six / Caprica / Natalie Faust Burn Notice (TV Series) Carla Supernatural (TV Series) Molly McNamara Mass Effect 2 (Video Game) EDI Con Man (TV Series) Louise http://www.imdb.com/name/nm1065454/
  7. Latest Guest Announcement - Aimee Garcia Attending: Friday, Saturday & Sunday Autograph Price: £15 Photo Session Price: £15 Lucifer (TV Series) Ella Lopez Rush Hour (TV Series) Didi Diaz RoboCop Jae Kim Dexter (TV Series) Jamie Batista Supernatural (TV Series) Nancy Fitzgerald Angel (TV Series) Cynthia http://www.imdb.com/name/nm0305083/
  8. Latest Guest Announcement - D.B. Woodside Attending: Friday, Saturday & Sunday Autograph Price: £20 Photo Shoot Price: £20 Lucifer (TV Series) Amenadiel 24 (TV Series) President Wayne Palmer Buffy the Vampire Slayer (TV Series) Principal Robin Wood http://www.imdb.com/name/nm0940851/
  9. Cover artist: 100 Bullets; Deadpool; Punisher; Spaceman; Coffin Hill; Lucifer; Fury MAX; G.I. Joe WHILE many comicbook artists start off illustrating stories before either expanding their portfolio to encompass cover art or focussing exclusively (to a greater or lesser degree) on cover work, Dave Johnson began as he intended to continue. Initially credited as Crusher Dave, the artist's earliest covers were for the first four issues of Robotech: The New Generation, a 1985 Comico series for which he also drew stories in issues #2 and 4. Johnson, who'd contributed an eight-pager toMichael T Gilbert's Strange Brew (an Aardvark-Vanaheim one-shot) three years earlier, also drew 1985's Robotech: The Macross Saga #5 for Comico for which he also worked on Elementals #4 in the same year. Two years later he wrote an drew an eight-pager for Paragraphics' After Apocalypse#1 (and only), moving on to Dark Horse in 1991 for a story running through five issues of the Dark Horse Presents anthology. From that point on Johnson was increasingly drawing covers (notably a run on Dark Horse's Venus Wars II manga) although his strip work was also gaining pace. He illustrated an issue of The Web for DC's Impact line in 1992, the same year he worked on an Iron Man Annual for Marvel and DC's The Demon Annual andWonder Woman Annual. In 1993 he embarked on his first ongoing project, drawing nine of the 12 issues of Chain Gang War, a DC series for which he also produced all the covers. Alongside Chain Gang War Johnson also drew the covers and interiors forSuperpatriot, a 1992 Image four-parter, repeating the assignment two years later with the four-issue Superpatriot: Liberty & Justice. In between he was producing ever more covers, notably for The Machine for Dark Horse and DC's R.E.B.E.L.S.. Johnson's storytelling work diminished further as demand for his covers increased. Even so he continued to illustrate stories on an ad hoc basis, his credits including a four-issue run on WildC.A.T.s: Covert Action Teams for Image's WildStorm imprint and, in 1996, the one and only issue of Marvel's Resident Evil. He also frequently contributed to anthologies, for instance writing and drawing a series of connected stories that ran across six issues of Penthouse Comix beginning 1997. Two years later, Johnson produced the covers for Adventure Comics, All Star Comics, All-American Comics, National Comics, Sensation Comics, Smash Comics, Star-Spangled Comics and Thrilling Comics, a clutch of DC one-shots that set the scene for the return of the Justice Society of America. It was the artist's highest profile work up to that point but his next assignment would really make his name. Before 1999 was out, he was installed as cover artist on 100 Bullets, drawing the covers for all 100 issues of the title for Vertigo, DC's mature readers imprint. Those illustrations were his main focus until 2009 although he did cover 18 2000-2001 issues of Detective Comics and make the occasional excursion out to create covers for a variety of other titles and publishers. Among his more prominent outings were an 11-issue run on Marvel's Captain America in 2004 and all eight issues of 2007's Avengers: Earth's Mightiest Heroes II as well as all 10 issues of 2004's Bloodhound and the eight of Uncle Sam and the Freedom Fighters (which came along three years later) for DC. He also covered G.I. Joe, a 2004 IDW six-parter. As 100 Bullets was drawing to a close, Johnson took on Punisher (subsequently retitled The Punisher: Frank Castle MAX before its 2010 relaunch asPunisherMAX) covering 37 issues of that Marvel title's various incarnations. He also went back to DC/Vertigo in 2009 to produce covers to 19 issues of Unknown Soldierwhile also covering all 12 issues of The Mighty for DC itself. For BOOM! Studios he covered the eight issues of Die Hard: Year One and the four of 2010's Cold Space. Subsequently the artist created covers for Prelude to Deadpool Corps (a Marvel five-parter) before moving on to the House of Ideas' core Deadpool title for which he produced a run of 19 covers, returning in 2012 to produce another 14-issue sequence. Johnson also covered a brace of Abe Sapien minis (subtitled The Abysmal Plain and The Devil does not Jest) for Dark Horse covering the first six issues of DC's 2010 series Freedom Fighters in between. In 2011 Johnson created covers for a trio of Dark Horse comics set – like Abe Sapien – in what is known as the [Mike] Mignola-verse. Alongside the three B.P.R.D. Hell on Earth titles he also covered the five-part B.P.R.D.: 1948 as well as DC's Flashpoint: Batman – Knight of Vengeance three-parter. After that he once again returned to Vertigo for the nine issues of 2011's Spaceman before bouncing back to Dark Horse's Mignola-verse in 2012 for the Lobster Johnson: The Burning Handfive-parter. He then covered all 13 issues of 2012's Fury MAX for Marvel for which he also produced a dozen covers for Ultimate X-Men. Next came a batch of covers for Marvel's Avengers Arena alongside which the artist once again returned to Vertigo for the eight issues of 2013's 100 Bullets: Brother Lono and to Dark Horse for theKiss Me, Satan! five-parter. Johnson took on the 20 issues of Coffin Hill (another Vertigo comic) in 2013 and then, the following year, the four issues of Deadly Hands of Kung Fu. The latter was for Marvel for which, in 2015, he also covered the seven issues of Silk and the five of Inhumans: Attilan Rising with the first six of Star-Lord coming along in 2016. Currently he is the cover artist on Lucifer, launched by Vertigo earlier this year. Often referred to as the Reverend Dave Johnson, the artist – who was ordained a deacon in the Methodist Church in the late '90s – has worked for all the major comicbook publishers as well as a large number of the smaller ones. His art has adorned a multitude of comics and he is increasingly in demand for variant covers and pin-ups.
  10. Latest Comic Guest Announcement - MIKE CAREY Writer: The Unwritten; Lucifer; Hellblazer; X-Men; Ultimate Fantastic Four; X-Men: Legacy Attending: Saturday & Sunday DURING the first eight years of his professional career Mike Carey worked on the margins. He wrote Inferno (a five-parter) and the Dr Faustus one-shot for Caliber, contributed to Britain's short-lived Toxic! and starred Ozzy Osborne and Pantera in Rock-It Comics titles. Then in 1999 Vertigo came calling for the British writer... The DC mature readers imprint assigned him to script the three issues of The Sandman Presents: Lucifer then, in 2000, to author its Sandman Presents: Petrefax four-parter. In between the writer also joined the 2000 AD team, embarking on an association with the British SF weekly that continued into 2002. At the same time he launched Lucifer as an ongoing title, scripting all 75 issues of the series, which ended in 2006 and gaining recognition for his talented storytelling. In 2002, with his 2000 AD stint at an end, Carey authored The Sandman Presents: The Furies (a high-end graphic novel) and the Lucifer: Nirvana one-shot for Vertigo for which he also took on Hellblazer. He stayed on board that title for a run of 41 issues, which took him into 2006. Along the way, he also produced the four issues of My Faith in Frankie for Vertigo. That was in 2004, which was when he undertook his first major superhero project. Having previously contributed to a 2003 issue of Batman: Gotham Knights and subsequently to Coup D'état: Afterword for DC's WildStorm imprint , the writer made his Marvel debut with the five issues of Ultimate Elektra. The following year not only did he co-write Marvel's adaptation of the Fantastic Fourmovie but he also authored All his Engines (an original Hellblazer graphic novel), scripted a four-chapter back-up in Detective Comics and launched a new Red Sonja series, co-writing the first six issues of that Dynamite title. After that cameSpellbinders, a Marvel six-parter, the four issues of Vampirella Revelations for Harris and a nine-part adaptation of Neil Gaiman's Neverwhere novel for Vertigo. Come 2006, Carey wrote Marvel's What If: Fantastic Four one-shot as well as both parts of the Ultimate X-Men/Fantastic Four and Ultimate Fantastic Four/X-Mencrossover before, with his work on Hellblazer and Lucifer at an end, leaping on to X-Men, his most high-profile assignment to date. He stayed on the top-selling Marvel comic subsequently retitled X-Men: Legacy for 20 issues, started a 25-issue run onUltimate Fantastic Four virtually simultaneously and also added the first nine issues of DC/WildStorm's Wetworks. While continuing to prove popular for his superhero work, Carey did not neglect fans of his more mature stories, returning to Vertigo in 2007 to script all 19 issues ofCrossing Midnight as well as the God save the Queen graphic novel, the Fakersix-parter and two graphic novels – Re-Gifters and Confessions of a Blabbermouth (co-written with his then 15-year old daughter, Louise) for Minx, a DC/Vertigo offshoot. That year he also produced the Ultimate Vision five-parter and the Legion of Monsters: Werewolf by Night and X-Men: Endangered Speciesone-shots for Marvel as well as two miniseries –Voodoo Child and The Stranded – for Virgin Comics. After his amazing burst of productivity in 2007, in 2008 Carey eased back somewhat. Outside of his regular series, he scripted only Marvel's Wolverine: Firebreak and X-Men Origins: Beast one-shots, the four-issue Secret Invasion: X-Men and (as co-writer) the X-Men: Manifest Destiny five-parter with his contribution to Marvel's Free Comic Book Day release being issued as X-Men: Pixies and Demons. Continuing to work for Marvel into 2009, Carey adapted two Orson Scott Card novelsؘ– Ender's Shadow: Battle School and Ender's Shadow: Command School – as five-parters before heading back to Vertigo for what many consider his magnum opus. Eventually running to 54 issues and spinning off a graphic novel in Tommy Taylor and the Ship that Sank Twice (2013) and launching 2014's 12-part miniseries subtitled Apocalypse, The Unwritten ran until 2013. From 2009 until 2013, X-Men: Legacy and The Unwritten were Carey's primary focus. He did, however, find time for Marvel's X-Men Origins: Gambit and Second Coming: Prepare one-shots, the eight issues of Dynamite/Marvel's The Torch as well as to co-author Untouchable (a Dynamite graphic novel) before 2010 was out. The following year brought the Thor: Wolves of the North and Age of X: Alphaone-shots with Carey spearheading the latter event, which crossed over into all of Marvel's X-titles. In 2013, the writer – who'd also scripted Marvel's four-issue resurrection of CrossGen's Sigil two years earlier – moved to BOOM! Studios, where he launchedSuicide Risk, which ran for 25 issues. In 2015, with that title and The Unwritten: Apocalypse at an end, Carey unveiled his second BOOM! project. A four-parter,Rowan's Ruin took him into 2016 and ended a career in comics that dated back to 1991. These days Carey is concentrating on novels. His first – The Devil You Know (which inaugurated his Felix Caster series) – was published in 2006 while his latest, Fellsidehas just been released by Orbit. A lead writer on 2004's animated Shadow of the Elves TV show, he produced the screenplay for The Girl with all the Gifts, which is based on his 2014 novel of the same name. Carey's first live-action feature film, it is set to premiere in September.
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