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  1. Latest Guest Announcement - Ramón Rosanas Artist: Ant-Man; Night of the Living Deadpool; Agents of Atlas; Spider-Man 1602 ALTHOUGH his US comic book career didn’t get underway until 2008, Ramón Rosanas had already been drawing professionally in his native Spain for over 20 years prior to that. There he was contributing to magazines, newspapers and advertising (providing art for Coca-Cola, Martini, Yellow Pages and the like) alongside stories for some Spanish comic publishers. Rosanas, who’d briefly worked for Marvel UK in the early ‘90s, made his US debut on The Age Of the Sentry, beginning an exclusive relationship with Marvel that continues to this day. He followed that 2008 six-parter —which he pencilled in association with Nick Dragotta — by working on the five issues of 2009’s Marvel 1602 : Spider-Man and then, in 2010, on the Agents of Atlas five-parter as well as providing a contribution to the one and only issue of World War Hulks. Although the Spanish artist then illustrated a 2011 issue of X-Men Forever, he was effectively absent from the US scene for three years, while he was working in two graphic albums for French publishers – World War 2.2 (for Dargaud) and Fraternités (Delcourt). Both were published in 2013 as was Marvel’s Iron Man 2 Film Adaptation. In 2014, the Spaniard drew his most prestigious project to date, the Night of the Living Deadpool four-parter with the five-issues of Ant-Man and the subsequent Ant-Man: Last Days one-shot following in 2015. As the year drew to a close, Rosanas —who spends much of his time between comic assignments providing illustrations for books, magazines and advertising — came on board to launch Astonishing Ant-Man. It is his first ongoing project.
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