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ABOUT GLENN FABRY: LIKE many British creators, Glenn Fabry began with a fanzine (in his case Working Class Superhero) before getting his professional start at 2000 AD. In his case it was in 1985 when he began drawing Sláine for the self-styled Galaxy’s Greatest Comic, for which he still contributes the occasional work.. Immediately he also began producing covers for the weekly and subsequently for its companion titles Judge Dredd Megazine and Crisis. It was that move coupled with his decision to paint most of illustrations that led him to becoming a much in-demand cover artist for a host of US titles beginning in 1992 with Hellblazer. While primarily known for those adorning Hellblazer, Preacher and other DC/Vertigo titles, his cover paintings have also featured on the front of many more comics, among them Batman: Vengeance of Bane Special, Daredevil: The Target, Magog, Rage, Spawn: The Dark Ages, Spider-Man Universe, The Trenchcoat Brigade, Vengeance of Vampirella and X-Factor. Although he has concentrated on his cover paintings, Fabry has not entirely neglected his storytelling. Among his major projects have been Batman/Judge Dredd: Die Laughing (1998), The Authority: Kev (2002) and its 2004 sequel, Thor: Vikings (2003), Neil Gaiman’s Neverwhere (2006), Greatest Hits (2008) and Lot 13 (2012).
