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Found 3 results

  1. Latest Comic Guest Announcement - Jeremy Haun Attending: Saturday & Sunday Artist: Batwoman; Constantine; Wolf Moon; The Darkness SINCE 2002 when he and writer Matthew Cashel self-published a single issue of Paradigm under their Two Irish Guys Press label, artist Jeremy Haun has been building a solid reputation for himself. Following release of Paradigm #1, Image took on the comic, publishing 12 issues of the title between 2002 and 2003. The artist then went on to draw two five-parter virtually simultaneously: 2004’s Desperadoes: Banners of Gold for IDW and the following year’s Battle Hymn for Image. Rounding out 2005 with the first two issues of IDW’s Masters of Horror, Haun moved on to the six issues of Oni Press’s The Leading Man and then to Marvel, where he drew Iron Man/Captain America: Casualties of War (a 2007 one-shot) and contributed to Civil War: Casualties of War with art for four issues of New Excalibur and a contribution to The Toxic Avenger and other Tromatic Tales (a Devil’s Due anthology) sandwiched in between. Come 2008 he was working for DC, where he contributed to its Countdown Presents: The Search for Ray Palmer – Superwoman/Batwoman one-shot to and its Two-Face: Year One two-parter as well as drawing the six issues of its WildStorm imprints Chuck. He also illustrated Pilot Season: Alibi for Image/Top Cow and drew a story for Image’s Comic Book Tattoo anthology. Then came Berserker, a 2009 six-parter from Image/Top Cow that he drew while also working on DC’s Batman: Battle for the Cowl – Arkham Asylum as well as a fill-in on The Outsiders, seven issues of Batman: Streets of Gotham and the three-part Arkham Reborn. At that point Haun’s days as an itinerant pencil for hire were all but over. Settling down first at DC, he illustrated two issues of Detective Comics, a Gotham City Sirens fill-in and the last four issues of 2020’s Red Hood: Lost Days six-parter. After that came a five-issue run on Artifacts and a 15-issue run on The Darkness, both for Image/Top Cow before a return to DC for single issues of Batman, Batman and Robin and Red Hood and the Outlaws prior to a 2014 run of nine issues on Batwoman. A six-issue run on Constantine took the artist into 2015 after which he illustrated the six-issue Wolf Moon for Vertigo, DC’s mature readers imprint. Most recently Haun launched The Beauty, an Image miniseries taking off from the Pilot Season: The Beauty one-shot he and co-writer Jason Hurley produced for Image/Top Cow in 2011.
  2. Latest Comic Guest Announcement - David Hine Attending: Fri/Sat/Sun Writer: Storm Dogs; The Darkness; Crossed: Badlands; Night of the Living Dead: Aftermath; Spider-Man: Noir
  3. David Hine Writer: The Darkness, Storm Dogs, Spider-Man: Noir, Spawn Hine has been working in comics since the early 1980s. His artist work includes drawing for Crisis' 1989 series Sticky Fingers (written by Myra Hancock) and in 1991 he drew Tao De Moto for 2000AD (again written by Hancock) and wrote and drew the futuristic police series Mambo from 1994 to 1996. Hine is currently best known as a writer on Marvel Comics titles such as X-Men:The 198 and Civil War:X-Men, and one of his most recent projects for Marvel was Silent War. Hine has also written a number of What if? stories which look at alternate outcomes to stories like Annihilation and Deadly Genesis. He has also written Spawn issues 151 to 184 for Image comics, as well as writing his own manga series Poison Candy for Tokyopop and the Two-Face issue of The Joker's Asylum for DC.
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